Art

Gallery Looks Back at Paradise Before it Was Bulldozed

Romanticism to Ruin: Two Lost Works of Sullivan and Wright, a new exhibit at Lincoln Park’s Wrightwood 659 gallery, makes the obscure sensational.  By looking at the rise and premature fall of two buildings, each designed by architectural deity, Louis Sullivan and Frank Lloyd Wright, we gain a newfound appreciation for design genius and see …

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Architecture as Art and Legacy: The Obama Presidential Center

Billie Tsien considers architecture a verb; something you experience and stimulates a response.  She, along with her husband, Tod Williams, won the commission to design Barack Obama’s presidential center. When it comes to presidential libraries, architecture can also tell you something about the person it’s commemorating. Personal attributes can be projected into the lines, contours …

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Still Time to Catch Portrait Fever at the Art Institute

Certainly former President Barack Obama and his wife Michelle are people who are “admired and idealized for their courage and outstanding achievements”.  Combined with their many other noteworthy attributes, the mantle of hero fits both husband and wife comfortably. Well understanding the significance of their historic achievements, the couple takes every opportunity to advance the …

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Riches Abound in Yannis Tsarouchis Retrospective: Dancing in Real Life

Since its opening in 2018, the Lincoln Park art gallery Wrightwood 659 has consistently presented exhibitions that expand the city’s exposure to exceptional art.  Although many of the artists the gallery features possess international renown, all have not been widely familiar to local arts enthusiasts.   As a result, Wrightwood exhibitions often take on the demeanor …

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Malangatana’s Artistic Messages Startling and Wonderful

“People are selfish.”  Malangatana Ngwenya used that phrase repeatedly in a film, Homeland, about his life and work a few years before he died in 2011.  Commonly known simply as Malangatana, he rose to prominence and received international notoriety in the 60s and 70s for the force and power of his paintings that refused to …

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